Still, I had the time and I went for it. To my surprise, Pipe loved what I created and is going to use it. He plans to shoot a teaser for W4W in NYC in January and here in March, so I’d better get my act together fast. I’m busy basically casting it myself right now as Pipe lives and operates in Montevideo, Uruguay. Luckily, I’m privileged to know and love a heap of mighty talented people who so far all seem eager to be a part of the project.
Next month begins my 39th year reviewing theatre on a regular basis, originally for Entertainment Today, BackStage, and several other national publications, but for the last few years since the near-demise of the print media exclusively here for my own website (click on CURRENT REVIEWS, although until mid-January new projects are far and few between). I am also still active as a member of the Los Angeles Drama Critics Circle, something I hope I never get so creaky I have to give up. I told Hugh 13 years ago when we first discovered this improbable thing called love we share that he didn’t want to stick around with me long enough to one day have to help me down the aisle of the Pantages in my walker, but now that those days are getting closer, he oddly seems not to mind. He's always been a tad blind, you see, serendipitously for me.
I may be doing a challenging and exciting new play later in 2026, playing dual characters who appear onstage simultaneously, something sure to turn me a bit schizophrenic. The roles were intended for another actor with an... er... acknowledged public visibility, but since he’s now busy working in a very popular TV series, the project could indeed go to me—I just hope his series avoids cancellation for a long time to come. Art heals, as it’s said, and have to admit I desperately miss acting, the most satisfying and euphoria-producing of all my creative outlets. Both characters I would play are old duffers (one based on a long-gone and most notorious old friend of mine), both of whom die before the aptly named “final curtain,” so I’d get to kack twice live and in person each and every performance. Good practice for me turning 80 next October, maybe?
That’s about it… oh! After two years of my endocrinologist bombarding my insurance company to agree to cover it, I’ve been on Zepbound since mid-May and have lost almost 70 lbs! I’m still losing and although I do feel better, without the extra fat to pop out my wrinkles, I’m now beginning to look like Margo when they took her out of Shangri-La. Everything’s drooping and my poor body looks like a wet sack of rice. Still, I’m much healthier even if I am turning into the Cryptkeeper, but life is all a trade-off, isn’t it? I might not have survived my health scare last fall if I’d still weighed 963 lbs, so I’m grateful and it’s not just an undigested bit of beef or an undercooked fragment of potato, it seems.
I’m not painting much these days due to arthritis in my hands but if all the other crap solves itself, surgery at some future point might alleviate some of that. How’cum no one ever told me getting old is a goddam fulltime job? Or did they and I was having too much fun to listen?
Since Hugh is away creating more magic for kids soon to be enjoyed at Camp Ozark in Mt. Ida, Arkansas this holiday season, he and I are taking off when he gets home for a long overdue adventure and to see our pals in New Orleans early in the new year. Hope that fucking ICE has left our beloved home-away-from-home by then. I could get myself in deep doo-doo if I ever have to confront them in person.
And you? Hope all of you are well and less depressed and disappointed with the state of the world and its future than I am. It's an overpowering feeling I just can’t shake.
Let’s try for some happy holidays, yes?
I’ll do my best.
TravisTee